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Half-Mourning Dress

1910-1912

The Victoria & Albert Museum

What’s a “half-mourning” dress?  Mourning in the front, party in the back?

Half-Mourning was the third stage of mourning for a widow. She would be expected to mourn her husband for at least two years, the stages being Full Mourning, Second Mourning and Half-Mourning. The different stages regulated what they would be wearing, with Full Mourning being all black and with no ornamentation, including the wodow’s veil, and the stages after that introducing some jewellery and modest ornamentation. When in Half-Mourning you would gradually include fabrics in other colors and sort of ease your way out of mourning. 

Wow, I am happy you made that joke so I could interpert it as a serious question and have an excuse to ramble on about clothing customs of the past, I am a historical fashion nerd.

That’s very informative, but I’m going to stick with my original head canon:

image

I love both the informed fashion history and the hilariously off-the-wall halves of this post.

darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info
darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info
darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info
darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info
darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info
darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info
darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info
darksilenceinsuburbia:

Ruth Marshall
RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.
Website
Zoom Info

darksilenceinsuburbia:

Ruth Marshall

RUTH MARSHALL brings attention to illegal wildlife trade and species loss in a way that unites a new, widened audience of scientists, art enthusiasts and the general public. Her textile pelts exemplify how artisan goods have the potential to have higher commercial value than a poached skin on the black market. The result would be a paradigm shift of the incentive in wildlife trade, which is one of the largest illegal activities in the world. Her textiles reinforce that support of conservation and a society’s culture is a more sustainable, viable and lucrative endeavor than the illegal wildlife trade.

Website

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